A surprising encounter at the thrift store

Thrift-store score: This weird lamp with a fake bird. From the collection (cough, cough) of Aimee Heckel.

I'm kind of cynical. So I figured I'd been had.

The old man walked out with the antique lamp. And the clerk looked at me to pay for it. How did I end up in this mess?

I guess it started with stress.

Whenever I hear or anticipate bad news, or worry in general, or worry about worrying too much, I pacify myself via pretty things.

In other words, when the fit hits the shan, I go shopping. I figure it's healthier than boiling crack on tin foil, and only slightly worse than ordering a bowl of gummy bears at Ben and Jerry's, which is my other go-to.

I don't usually purchase anything, because that just leads to more bad news in the form of ramen noodles for dinner for the rest of the month. So I am a looker. A toucher. An admirer from a distance, with such convincing fervor that it's no wonder the older man assumed I was about the buy the lamp at the HospiceCare and Share Thrift Shop in Boulder.

I wasn't.

Still, it was glorious: antique and brass, with intricate detailing and accents that reminded me of an old skeleton key. Suddenly, a white head was peeking around the other side of the lamp.

"Hmm, I could fix that," he mumbled, pointing at a piece near the bulb that I hadn't noticed was busted. Suddenly, I felt protective over the lamp that I wasn't going to buy; was he trying to buy it out of my hands? How did he know I didn't want it even though I didn't?

The clerk joined in the conversation, explaining that the lamp had been a set of two, and a well-known antique dealer had bought the other one because it was in better condition. This lamp would be very valuable, if it weren't a total fire hazard, she said.

Eek. Now I knew I wasn't going to buy it. My kid can injure herself on feathers and air.

Suddenly, the man had the lamp upside down and was unscrewing piece after piece, pointing at wires and fuses (maybe?) and spark plugs (maybe not?) and all of the magical components that make electricity go zap. It looked complicated. But now I couldn't just walk away. I was invested, because I was holding the screws.

Trying to draw the attention back to me, and the fact that technically I had dibs on the lamp, even though it was $21 and way out of my planned budget of $0, I small-talked: "Are you an electrician or something?"

"Use to be," he said, while plucking out some more wiry guts. And then, he called across the store to a woman, "Hey, honey, what time is your birthday dinner tonight?" It was at 6. And then to me, "Can you get it before 6?"

I cocked my head like a confused puppy listening to a hamster wheel.

"Here," he said, suddenly grabbing a pen off the counter. He wrote down his name, Bob, and an address. He handed me the paper and walked out the door.

"That'll be $21," the clerk announced, which was my first realization that I had just purchased a lamp. Possibly for a stranger.

As the day grew closer to 6 p.m., I kept eyeing that peculiar piece of paper and wondering what to do. Was he for real?
Was it a scam? Was he a murderer, luring in girls in with antiques? Was he going to charge me $600 for the repairs? Because surely, no one would just do something nice for a stranger and expect nothing -- on his wife's birthday, nonetheless.

My curiosity defeated my skepticism, and I decided to scout out Bob's house. If the address was even real.

It was. They probably wouldn't be home.

They were. In fact, when Bob opened the door, he and his wife greeted me with such enthusiasm that I briefly wondered if they were actually my grandparents but I had just, um, forgotten?

Bob brought me to his garage, where he had completely replaced the head of the lamp, installed a three-level dimmer and even given me a fresh bulb. It looked brand new, and he assured me it was just as safe. I prepared for the catch.

"So how much do you want for the repairs?" I asked, while imagining ramen noodle salad and ramen noodle sandwiches for the next three weeks.

Bob laughed. Now it was his turn to look confused. The thought had never crossed his mind. He was the real deal. An honest to goodness pure and undiluted Nice Person.

Whoa. It was like being face to face with an endangered ivory-billed woodpecker.

Every night now when I get home from work, I flip on my beautiful brass key-pattern lamp -- my absolute favorite possession -- and it instantly diffuses any stress and worries. It fills my house with light and love, like the unsolicited light and love poured into it by a stranger. And it reminds me to keep spreading mine.

And that sometimes the most unexpected, and even unwanted, gifts can be the best.

Read more at Dailycamera.com.

Reba: Home weird home

Reba is weird. I love her.

Reba's apartment is a museum of the world's most amusing flea market items. It's a gallery of conversation pieces. It is, in and of itself, a work of art.

Public speaker Patricia Fripp once said style is being yourself, but on purpose. My childhood friend Reba's home is like diving inside her beautifully mad brain and backstroking across her dreams. It's the most alive building I've ever walked through, a character. And a dangerous inspiration.

Reba's living room boasts not one, but two, sets of mannequin legs. One rests upside down between the green nightstand, barely wide enough to support her television, and Charlie McCarthy, the ventriloquist doll, who I simultaneously want to hug and set on fire.

Full-scale skeletons dance on Reba's walls year-round, along with a sad clown portrait made out of yarn, various robots, a picture of a dog in a tuxedo and an oversized landscape of a German castle. She uses old doors for picture frames and a newspaper rack for dishes.

On some street in Oregon that I forget but it was cool. Being stalked by a cardboard wolf.

 

She adorned her kitchen table -- and four mismatched chairs -- with decoupaged coffee bags, and she let her 6-year-old son, River, decorate the bottom of the table. He chose hundreds of googley eyeballs. When new people visit, Reba excitedly ushers them under the table to lie and gaze at her son's creation.

Spend 10 minutes in this apartment and you'll feel like you've known Reba for 20 years. It's the opposite of a beige Pottery Barn showroom house that could be anyone's. Reba's house couldn't
be anyone else's. That's what makes it so glorious.

I visited her in Oregon last week, and returned home to an office that had relocated from a 120-year-old station on the Pearl Street Mall to a modern business park in east Boulder. At the new desk, first I noticed the cleanliness (more than a century of newsprint, yellowed papers and journalist tears really crusts up a place). Then, I jumped out of my chair. This order was uncomfortable. My desk needed flair. And a little crust. Just enough for character.

My first reaction was to hit up one of the Pearl Street shops that I've grown addicted to over the past 10 years (gross, I'm old) at the Daily Camera. Urban Outfitters. Goldmine Vintage. But that was no longer my 'hood. I wept three tears.

I needed to trailblaze east Boulder, like Christopher Columbus blazed the Atlantic, or like Russell Brand explored every woman east of Wales.

My sense of adventure and lack of finances led me to the Salvation Army on 33rd Street. After I ran across a cookbook so ancient that it was growing a new variation of mushrooms, I knew I was home.

My house, albeit lacking eyeballs on the underside of the table, has its own energy. Obnoxiously bright walls, furniture from the 1950s and '60s and even pictures of a glittery unicorn and a hologram wolf (both gifts) (amazing). I'll never claim my house is immaculate, and I'll never pretend I'm rich. But I am proud of my odd little nest that reads about me like my own palm.

At the Salvation Army, I found records for 49 cents each. Frames for $1.30. Books for 49 cents. I almost bought three dozen Chinese literature books (for the colorful pictures of birds and mustached men), but instead, I opted for two Whitman classical books, printed in 1955. Ever blasphemous, I ripped out my favorite sketches from "Five Little Peppers" -- of a girl crying, burglars breaking into a house and a gaggle of kids writing a letter -- and I framed them.

Nearby on my desk, I hung three record covers that make me laugh, including "Sing Along with the Honkey-Tonks," and I bought an old milk pitcher to hold my pens. I found a wooden jewelry box to organize my office supplies (paper clips, sticky notes and lipsticks). I used the records to divide up my desk. The grand revamp: $8.45.

As I complete my first article in the Camera's new quarters, I feel a little greedy, like I get the best of both worlds: a modern office without asbestos flaking into my tea, and a little old-fashioned weirdness, to remind me of where we came from.

I even decorated the underside of my desk, in honor of River. Feel free to peek under there. The carpet's clean of journalist sludge.



At least for now.